This has several tried and true horror tropes and scenery – the evil kid, the spooky basement, a mother’s love, an agonizing obsession (the hands), a kettle whistling, and a dog alerting of impending doom. However, it doesn’t feel like horror until the third act. Until then, we just get glimpses of what the film could be, and it could have been stellar based on the brand new, to me, idea of reincarnation as a subject.
Taylor Schilling’s performance is believable, but the story itself does not lend to her abilities as an actor. Overall, this film is bland but it could have been fresh and intensely scary. 3/5, I might watch it again.